liberty--mcds-1e117

{Our Lady Of Liberty And The Perpetual McDouble}

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liberty--mcds training sequence

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  The object representing the past of Object Americana is gentle and enigmatic. It is 3D-printed in white plastic and takes the form of a rough approximation of the Statue of Liberty with large, angelic wings. The wings in fact trace the outline of the logo of the McDonald's fast-food chain [figure 1]. Upon further examination, the torch that the figure holds appears broad and flat at the top, almost like she is holding a serving tray aloft as in some post-war era diner. The tabula she famously holds in her left hand is clearly visible at her side, between her body and the left 'wing.' Her figure is not quite the same as the viewer is used to, however. Her head seems draped in a veil of some kind, though her radiant crown is clearly visible, if skewed [figure 2]. Her abdomen seems a bit distended, and she seems to be simultaneously standing tall and leaning sharply to the left due to a strange position of her left leg. There are two unexplained I-beam-like projections connecting the left side of her lower leg with her left 'wing'; these look very much like glitchy digital artifacts. There are more artifacts on the middle sections of both 'wings,' and these almost resemble areas where paper has been crumpled in on itself. Finally, there is a projection emanating from her left shoulder area which, upon close examination, seems to be an echo of her very own upper body, complete with right arm held aloft and head with crown. This projection connects to the left 'wing,' and is an example of the fractal, ever-smaller nature of the level of detail in all of the sculptures produced for Object Americana [figure 2]. The McDonald's logo is apparent as the 'wings', but it takes a bit of time to realize that the lady of liberty is also occupying the middle stem of the "M" shape that the logo comprises. She is off-center in this regard, and the logo is further distorted with two sharp horns rising from its left apex. The back of the object is not quite as detailed, but it does bear another much larger echo of the lady's likeness: her entire back, shoulder area, and the projection from her left shoulder seem to make up another forehead and radiant crown [figure 3].

  To my mind, this object represents the way in which the old notion of the American dream was, even at its root, wrapped up so strongly with base commercialism and the physical products this country has exported throughout its history. In many ways, the American liberty has always meant freedom to buy something; more often than not, something created under negative if not horrific circumstances. I think of the promise this country held in eras bygone, and how food security was a driving force behind many waves of immigration to this territory. How many people, arriving at Ellis Island with lady liberty in plain view, had their first meals in America on their minds? At the same time, in the contemporary era McDonald's has taken on a decidedly sinister hue: extremely unhealthy, extremely cheap food offered to the millions of the country's destitute residing in food deserts, in lieu of effective nutrition. This same food offered around the world as a primary symbol of the United States' soft-power cultural empire. As they say, "Billions and Billions Served!"

[figure 1]

The final liberty--mcds hybrid object shown with its two antecedent objects. Each of the two antecedents contributed 1000 point-clouds of their surface information toward the training set for the final object. The resemblance among the "family" is striking.

[figure 2]

Head and shoulder detail of the object. Fractal, miniature version of the Statue of Liberty's upper portion emerging from the left (viewer's right) shoulder of the figure visible. Raised arm can be seen seeming to hold a serving tray aloft.

[figure 3]

Posterior side of the object. Glitchy 'wing' artifacts and outgrowths visible. Radiant crown form barely visible in upper back in addition to the 'regular' one on the head.

3D PRINT PHOTO GALLERY

I believe that sculpture should have some form of an experienceable physical presence. This might take form in a fully digital Virtual Reality, but I have developed the choreography of Object Americana specifically to result in a 3D-printable file object. Being also a digifacturing specialist, I created a series of 3D prints of the final objects with a slightly rough-hewn quality, emphasizing the physicality of the digital object. These are considered limited editions of one print each; if future printings are made, they will be of a separate edition.

CLICK HERE FOR FULL OBJECT AMERICANA PHOTO SET!

liberty--mcds-1e117{Our Lady Of Liberty And The Perpetual McDouble}, 2020.
3D print in white PLA with stand in black PLA. Unique thesis edition.

All photos ©MMXX, Jeffrey Geiringer

Each sculpture that comprises Object Americana is the result of a genuine Machine--Human collaboration, representing some of the world's first AI-driven sculpture, as well as a novel example of this type of collaboration.

The Machine Intelligence at the heart of the project contributes a perceptive ability that I, the Human, cannot possess: the ability to perceive two objects as one and output a depiction of this imagination.

I, the Human, contribute my own ability to take the Machine-generated point-cloud and see where the surface of the implied object should be drawn. From a larger perspective, I also contribute the ability to design the choreography and work/data-flow that is the project itself. For more information on that aspect, see the "METHOD" section.

In this way, the partnership creates pieces of physical material that are both fundamentally of the Machine and fundamentally of the Human. This new genre is only the beginning of a new era of Machine--Human collaboration.